7 - LIBRA by javid.jah@gmail.com

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Al-Mīzan can be translated as “the balance” in Arabic. Libra is a latin name for “weighing scales” - it is the only sign that is not represented by a creature of some sort. It is the second of the air signs (the others being Gemini and Aquarius) and marks the beginning of fall with the Autumnal Equinox. This event is considered the moment when the seasons are balanced, as it is the first day since the Vernal Equinox (Navroz, or the first day of Spring) when the Sun is above the horizon for the same number of hours as it is below it. The scales Egyptian origins refer to the weighing of harvest following Virgo whereas the Babylonian conception of the scale refers to the weighing of vices and virtues after death. 

In ancient Greece, the Scales of Justice was personified by Themis, “the Lady of Good Counsel” who represented divine order, fairness and natural law. Themis can be translated “that which is put in place” - essentially divine law. 

Traditional Astrological influence

Librans find it more difficult to cope with loneliness than any other sign. The need for balance and harmony is paramount in order to be happy. They would rather sit on the fence when there is a problem to maintain peace and quiet rather than take a position on either side. Librans are not psychologically whole until they have reached a one-to-one relationship. This emphasis on balance and partnership is the reason the 7th house of the zodiac is considered one that characterizes our relationships, as Libra rules this house.

Amuli’s reading

The Qur’anic verse associated with Libra according to Amuli is the verse directly following that of Virgo - from Surah An-Nazi’ati (The Chapter of the Wresters). Again, the translations here are challenging in terms of accurately representing their English equivalent as well as understanding what or who is being referenced. According to the “Study Qur’an” by Syed Hossein Nasr, the varying interpretations can refer to different types of angels, modes of death, or types/phases of stars and other celestial bodies. In one interpretation by al-Tabari, it is believed the verses can be referring to all of the above as God is swearing by everything “that exhibits these characteristics.” Al-Razi interprets the first five verses of this Surah (which according to Amuli represent, in order,  Virgo, Libra, Sagittarius, Scorpio and Aquarius) as the five phases in the return of the heart from what is other than God.

I am going to assume that given Amuli is building on the esoteric tradition of ibn Arabi, the verses are selected because they allude to the journey a soul must endure to return to its origin. And while Virgo, al-nazia’at, was about “wrest”- that one must strive to re-direct love away from the fleshy desires -  Libra, al-nashitat, refers to the stage after this rather challenging process is over. Like Aries and Leo, this verse uses the same word twice, in two different conjugations of the same root - N-SH-T - and these are the only two times this root is used in the entire Qur’an. The exclusivity of the word makes it that much more challenging to assess its meaning, since it does not have any reference. Perhaps this is why we see such disparity in its translation. For example according to Mohammed Asad, this verse is translated as “(those stars” that move [in their orbits] with steady motion”. If “nashat” can be understood as “steady” or “gently”, and “nashitat” as “pulling” or “moving” then essentially we can agree this verse is referring to the quality of some celestial body that is capable of “gently moving.”

Can we find a relation to this in terms of our general understanding of Libra?  It would seem to be a stretch if we take the verse to mean “by those who move steadily.” But if we take the translation closer to Nasr’s perspective  - that nashita is to “draw out”, then this verse can be understood to be about the gentle extraction of the soul from the body, in contradiction to Virgo - the more aggressive extraction. In this context, the Libran character comes to light - the diplomacy, charm and harmonious nature enabling a smooth transition of the soul as it has come to surpass its worldy affixations and begins to assume the character traits of the divine.

Geometric Interpretation

Coming Soon

6 - VIRGO (the archetype of Virgo in reference to XSITE) by javid.jah@gmail.com

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XSITE is a collaborative knowledge-sharing initiative where six players have joined forces to make a super team.

Collaboration paradoxically requires a blurring and a clarity of roles. With our collective purpose to create a holistic, cosmological experience, we are challenging one another to push the limits of our skill set in each aspect of the project. So at times, we take off our hat, and wear someone else’s - a provocation to stimulate innovation. While the architect and the artist are used to this blurring, sometimes the engineer and the fabricator are not. Our goal is let our roles shine as one entity yet excel within our particular skill set.

6 - VIRGO (Q 79:1) by javid.jah@gmail.com

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As-Sunbulah means the “ear of grain” in arabic. It also serves as the name of Spica, the star that traditionally marked the appearance of the constellation named Virgo. Spica is Latin (from spica virginis) meaning “the virgin’s ear of (wheat) grain”.  The Egyptian goddess Nidaba, who was also worshipped by the Sumerians (with the cuneiform symbol of two stalks of wheat), could be the origin of the Virgin association - the arrival of the Moon in Virgo marked the beginning of harvest. In contrast, Sumeria depicted her as a great Mother, and her daughter was sometimes regarded as the guardian of the harvest. Nidaba evolved into the goddess of writing, perhaps given the importance of documenting trade associated with harvest. Her worship grew as writing moved from simple accounting to documenting contracts, history, law and literature. In more contemporary terms, the birth of Jesus to a virgin occurs in Bethlehem - a hebrew name which can be translated as the House of Break (in arabic, the house of meat - bait = house, lahm = meat in arabic, bread in hebrew). As Mary is perhaps the most famous of Virgin references, even in the Judea-Christian tradition we find the virgin in reference to wheat. The symbol itself is designed to depict the Maiden carrying a shaft of wheat. While it does share the lower-case “m” with Scorpio, it does not possess the more masculine “tail” on the end. The loop back to the letter can be considered more “feminine” and perhaps refers to the shape of a womb. It is one of the only symbols not depicting an animal, alluding to its pursuit of clarity and order. 


In Vedic astrology, the constellation of Virgo is known as Kanya which also means “maiden”. The symbol of the maiden is based on Astrea, who according to Greek mythology, was the last immortal to abandon Earth when the gods fled to Olympus. Astra literally means “star-maiden” and she is known as the virgin goddess of justice, innocence, purity and precision - many characteristics that have been incorporated into the contemporary astrological influence of Virgo. 

Virgo is the second earth sign and is described as mutable un quality meaning very liable to change. Traditionally it is believed to be ruled by Mercury, just as the air sign Gemini, but according to esoteric astrology, The Moon, which is actually the veil of Vulcan* is Virgo’s ruler. The notion of Virgo as a symbol of purity expresses the purpose of purification - to enable our higher self to come forward and honour one’s sacred duality. 

*Vulcan is considered a hypothetical planet that was believed to be causing the irregular transiting of Mercury. Named after the Roman god of beneficial and hindering fire, a French amateur astronomer Lescarbault is credited with observing Vulcan’s transit in 1859. None of the dates that Vulcan was expected to transit materialized, creating immense skepticism about its existence. In 1915, Einstein’s theory of relatively altered the approach to calculation of planetary orbits, thus accounting for the irregular pattern of Mercury. The general astronomy community proceeded to conclude the Vulcan did not exist.

Amuli’s reading

In reference to the Qur’anic verse associated with Virgo, the principal word - Nazi’āti) is also the name of the chapter in which it is found. It is the first verse of that chapter - similar to two other signs in Amuli’s theory - Cancer (Surah Al-Mur’sulāt - The Chapter of Those Sent Forth) and Pisces (Surah As-ṣafat - The Chapter of Those Ranges in Ranks). In all three cases, the first verse of the chapter is representative of the astrological sign in question.

The second thing to note, which is really a preface to this entire study, is that there is a great debate that continues about what Allah is referring to in these verses. The Study Qur’an - perhaps the most comprehensive compilation of Qur’anic tafsir made for anglophone students - sums it up best - these verses may refer to angels or winds, or perhaps a type of knowing that one can only access if Allah wishes you to know - in your heart (m’arifāt). 

The first word, nazi’āti (the wal at the front in this context can be understood as “by those”) is the feminine plural noun derived from the root verb N-Z-A’, which is used most frequently in its first form as “to take away/remove/withdraw”. It does occur in two other forms, form III as “to dispute” (yunāzi’) and form VI to disagree (tanāza’ū). The most obvious correlation here is the concept of harvest - Virgo’s traditional association with marking the harvest of wheat. Pretty good fit so far, Amuli :)

The second word, gharqan, makes things much more interesting. This word originates from the verb G-R-Q, which is most often used in its form IV as aghraq meaning to drown. In fact every reference to this word in the Qur’an seems to use the word in the sense of drowning. The exception appears to be in this particular verse, where it is largely understood to mean “violently.” Here’s where the Virgin association invites a certain level of imagination as “violent extraction” from the “virgin” is quite the oxymoronic metaphor. According to several accounts, the verse is understood to refer to angels that “wrest the souls of disbelievers from the body” - this violent extraction is required because these particular souls do not want to face the Judgement (the Last Day). Perhaps this resonates with the more general astrological view of Virgo as the meticulous, at times nervous, painstakingly perfectionist that can be adamant about obtaining order in life. From an esoteric perspective, in the words of William Meader, Virgo is summarized as “The Gestation of the Christ Principle within the womb of Substance.” What does this mean and why is he involving Jesus? Meader is referring to the notion of the cosmic mother - that God chose Mary to bear a child because of her purity, and that this principle applies to all that seek purification - they can bear the truth within by virtue of this often times, trying and demanding process. 

In a more rudimentary reading, the action of grain extraction can be a labour intensive process. Perhaps not “violent” but certainly demanding. Yet we would imagine the Sufi Amuli to not be concerned with the cursory and exoteric readings of a cosmology that was passed down by the great Ibn-al-Arabi. Al-Rāzi comments that these successive verses that Amuli has associated with astrological signs are really phases in the return of the heart from what is other than God.  It is spirits that “wrest” those who have love of what is other than God; the next stage would be those that are “drawn out quickly” (Libra) as once they return from bodily concerns, the spirits take to “striving and assuming the character traits of God with utter zeal (nishāṭ). This is followed by those that “glide serenely” (Sagitarrius - Amuli associated Scorpio with the next verse) which refers to the spirits that, after striving, “glide in the realm of sovereignty.” 

Geometric 

The 6th house marks the mid-point of the 12-pointed star of the zodiac. From the fire element and the birth of spring to the harvesting of the earth and the arrival of fall. In terms of the qualities of the signs - their triplicity as cardinal, fixed and mutable characters - the six marks the completion of two equilateral triangles, forming the star. The hexagon is a wonderful representation of a completion of a cycle, and plays a special significance in the Abrahamic faiths as it represents the number of days in which God created the Universe. 

From a geometric perspective, If you extend the lines that form the two equilateral triangles within the hexagon beyond the primary circle of the hexagon, an alternating series of 12 shapes unfolds - triangle, square, triangle, square, etc - providing the 12 equal slices of the zodiac. The square (4) multiplied by the triangle (3) gives us the twelve. If we look closely at the qualitative understanding of these numbers, we may witness the wonderful harmony of the solar calendar. Reflect on how the square and triangle are so significant in how we apprehend the rhythm of time: The “squareness” of the year - the division of the four seasons marked by the two solstices and the two equinoxes, echoes our understanding of directionality - north, south, east west - as well as the elements - fire, earth, air and water. Four is also the basis of the cardinal qualities heat, dryness, cold and moistness which embody the principles of expansion, fixation, contraction and solution. Their combination in various quantities facilitates the constitution of the elements. Do refer to Keith Critchlow’s research for more on this.

The triangular relationship within the solar year is based on the Sun, Earth and Moon. You can approach this relationship as the viewer, the viewing and the viewed or object, subject and relationship (Critchlow). From an Islamic perspective, this may be considered as Āllah, Raḥmān and Raḥīm (the basmala at the beginning of almost every surah in the Qur’an). The triangle represents the minimal conditions for existence and the first Unity after the Creator (or number 1) - that is, one, the other and its conjunctive. Ibn-Arabi captures the triplicity in terms of the fundamental tendencies of the Universal Spirit (al-Rūḥ): 1, the descending movement away from the Principle; 2, the horizontal expansion; and 3, ascent back to the Principle.

5 - NATURE (the archetype of Leo in reference to XSITE) by javid.jah@gmail.com

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The Nature of XSITE is to encourage disciplines to empower one another in order to generate a holistic, cosmological experience.

The image above is the assembly of XSITE exploded to demonstrate the various components that have come together to form this art installation. Each of the disciplines involved in its design depend on one another for direction and wisdom, challenging convention and encouraging innovation. Its architectural spirit is really a product of astute structural engineering. Its metaphysical foundation - an aspiration to manifest the unseen - reveals itself in the balanced vibration of its audio experience. Its mystic sensibility is felt when we experience its virtual capacity, as an augmented reality defies the logic of our physical one. And the code that enables this virtual experience is considered an architecture in and of itself.

5 - LEO (Q 77:3) by javid.jah@gmail.com

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Al-aasad means the Lion in Arabic. Leo also means lion in Latin. The sickle shape asterism of stars (a visible cluster that is techinically not a constellation) represents back of the Lion’s head, which is the origin of its symbol.. 

The ancient Greek story associated with Leo is that of the Neumean Lion that Heracles (Hercules to the Romans) was killed as the first of his 12 labours. This Lion was depicted as ruthless, luring soldiers into its lair by taking women as hostages. Hercules “realized” he had to defeat the Lion with his bare hands. When he defeated the Lion, Zeus commemorated the labour by placing the Lion in the sky.

Leo is the fifth astrological sign, marking the first return of the fire element since Aries. It is characterized by the fixed quality, meaning its influence is stabilizing and persistent (also interpreted as stubborn or single-minded). This all lends to general understanding of fiery Leo as a very determined and willful agent of change. Its traditional rulership is the Sun, as well as its esoteric rulership according to William Meader. Classified as a 1st ray sign, Leo’s will is exemplified in three distinct ways: the will to be ie find its Spirit within (respond to the question of who am i?); the will to lead; and the will to illuminate (a teaching sign).

Looking closer at the verse associated with Leo according to the studies of Haydar Amuli, this is the second time we are encountering a sign where the verse is made up of the same word repeated twice. The last time we saw this, it was with Aries - the first fire sign of the zodiac. Aries repeated the word “drive” twice (zajirat zajran) while Leo is repeating the word “scatter” twice (nashirat nashran). The true test to see if Amuli was closely connecting the linguistics of the Qur’an to the elements of the zodiac would be if the final fire sign, Sagittarius, was also connected to a verse comprised of the same word repeated. Note that this word occurs first as a noun, then as an adjective of that noun - something challenging for anglophones but very natural to an Arabic speaker, who is used to all words originating from their verbal roots. 

Nashirat originates from the verb nashara, which can mean to spread (form I), to resurrect (form IV) or to disperse (form VII). Each verb has the potential to have 10 distinct forms, generated by changing the vowels and emphasis in between the three letters that make up root verb. I’m always interested in the various forms a verb can take, as it opens up a window to a range of subtle differences and poetic resonance; for me, it is interesting to see that the words Amuli associates with Leo, share an origin with an-nushuru, which is a noun for “Resurrection” - certainly an allusion to the return of the fire element in the progression of the zodiac.

Nashran, again originating from the same root verb nashara, is really serving to amplify the first word. In essence, the English language fails to capture this poetry - it doesn’t sound the same when we say “scattered scattering-ly”... Its a rather beautiful snapshot of Leo, particularly geometrically, as if we understand the progression of the signs in terms of its number, represented as forms, Leo marks the emergence of the pentagon. This 5 sided shape gives birth to the star to life for the first time; the archetype of radiance, the star is a quintessential formal representation of radial movement. The emergence of the shape within a shape - really the resurrection of a hidden form within - occurs for the first time in Leo. The star also initiates the “active” quality of geometry in terms of its orientation -it possess a dynamic relationship between periphery and center - as if we move from the physical to the spiritual, or the manifest to the origin, faster than its more passive form - the pentagon. We will see this inner duality in terms of an inner form begin to impact our perception of the identities of the zodiac signs to follow.

Also of key significance in reference to 5 is the arrival of the golden mean rectangle. Save this for another time tho…

4 - ELEMENTS (the archetype of Cancer in reference to XSITE) by javid.jah@gmail.com

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The Elements of XSITE that are fundamental to the experience of our Cosmology are:

ILLUMINATION refers to the fire we hope to ignite within people who visit XSITE. It is about an awakening to the hidden light of the Universe through ephemeral visual representation. The light is actual virtual - an Augmented Reality that is unlocked by your mobile device.

SITE refers to the physical materials that make up the structure. The modular steel apparatus consists of two modified hi-cube 20’ ISO shipping containers and the swivel mechanism allowing its rotation.

SOUND refers to the frequencies emitted at XSITE. We have found research showing the frequencies measured from planets as they rotate the Earth. Measured in Hertz, we have composed soundtracks to planetary movement based on these frequencies, filling the air with a vibration synchronized with each of the planets being observed.

ROTATION refers to kinetic capacity of XSITE, as its architecture is an investigation of the mechanics of orbiting. The swivel, designed by Joachim Wessmark, allows an effortless rotation of 7,600 lbs of steel which can be operated by a young child. 

4 - CANCER (Q 77:1) by javid.jah@gmail.com

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As-Sartan in Arabic is translated as “crab” which is the most recent incarnation of the aquatic creatures representing the constellation of Cancer (its rotated “69” symbol is the pinchers of the crab). Originally known as Karka in Vedic astrology and Luna in the Renaissance (referencing the Moon goddess), the Eurasian root of the word “cancer” is “to scratch”, which corresponds to the various creatures that have been associated with it: the lobster, the scarab beetle (Egyptians) and the turtle (Mesopotamia), to name a few. All of these creatures seem to have an exo-skeleton and can survive in water; they are resilient, determined animals that “push” the Sun across the heavens, bringing it to its most Northern position in the sky which we refer to as Summer Solstice.

The persistent nature embodied by the traditional creatures associated with Cancer also correspond to the nature of water - an element that will always find a way to its source. Referring to the Qur’anic verse associated with Cancer - research from the 14th century Persian Sufi Haydar Amuli - this notion of determination takes on a spiritual connotation. The first word of the verse, mur’sulati (the “wa” in front just means “and”) is derived from the root R-S-L, the verb “to send” which as a noun can become the Prophet (Rasool) or the message (risalata).  In fact, this is the only instance in the Qur’an where this root is not explicitly referencing Prophethood or His message. Instead, mur’sulati is understood to mean "the ones sent forth." 


Ironically, the second word is also an anomaly in terms of its meaning being an exception to the rule. The root of “ ‘urfan” is 'A-R-F, which means to know/recognize. For Persians, ‘Irfan and for Arabs, ma’arifat, are two derivatives of this word that mean Divine knowledge, or gnosis - an immediate knowing/awareness of the One which cannot be translated into rational/linguistic means.  In the context of this verse, ‘urfan’ is understood to mean “one after another” as if “Knowing” or awareness would be a chain of successive stages.

3 - RESEARCH (the archetype of Gemini in reference to XSITE) by javid.jah@gmail.com

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Three Research areas provide the foundation for the cosmological vision of XSITE: Sufism, Sacred Geometry and Cosmic Architecture.

Re-search describes the journey of our Soul. It provides a foundation for how we manifest the project - the source of inspiration that strengthens us when the journey becomes difficult. Our research is fueled by love and balance with humility. We should never think we have learned enough or could ever understand it all. This aspect of Research belongs to the Sufi. In essence, cosmology is really a story written by those who are in love with One - it is about relating all creation to this Oneness, expressing its science through imaginative media.

If the first aspect of research is the Love born in the Sufi, the second is the way this Love takes shape - its geometry. When we think of numbers qualitatively, a sacred geometry comes to light. As we move from nothing to something, speaking through only circle and line, the wonderfully balanced harmonies of  knowledge reveal themselves. This is a path shared by all civilizations, which has taken root in some key reservoirs of wisdom, such as the Flower of Life and Metatron’s Cube, which capture the molecular relationships of the elements. 

When we imagine these geometric relationships at increasingly larger scales, we arrive at Cosmic Architecture. The Dome is simply an abstraction of the celestial sphere. We do not experience any completely linear forms in our natural surroundings, yet we choose to live in boxes. How can our built experience reflect the wisdom shaping the Universe that we inhabit in authentic and meaningful ways? Or moreover, how can our architecture be a catalyst for reflection of the Signs so eloquently distributed across our skies?

3 - GEMINI (Q 51:4) by javid.jah@gmail.com

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Gemini is the first air sign of the zodiac. It is known as a “mutable” sign, the third type of character that is historically attributed to the signs. This essentially refers to the adaptability of Gemini’s influence - its ability to be flexible yet also indecisive. It shares this category with Virgo, Saggitarius and Pisces. 

Amuli has associated Gemini with the fourth verse of Sura Az-zariyat, which can be translated as “The Chapter of the Wind that Scatters”. A number of translations, including Yusuf Ali, claim that the first four verses of this chapter characterize the four types of winds: one that scatters, another that lifts weights, one that is easy and gentle, and finally the one that distributes commands. It seems rather fitting that Amuli would associate this verse with Gemini given that it would be difficult to consider wind without the element of air..  but the other three verses describing the winds in this chapter are not the ones associated with the other two Air signs (Libra and Aquarius). 

The word Muqasimat, whose root has two meanings - to distribute or to seek division - has a subtle reference to our common perception of Gemini, the Twins - the idea that we may be in a constant inner division between our heart and mind, or between the Ego and the soul. The Twins of Gemini are actually referring to Castor and Pollux, who in Greek mythology, are brothers of the same mother that actually had two fathers (Zeus and Tyndareus) - a very rare case known as heteropaternal fertilization (when two sperm are sharing one egg). Their appearance in the constellation of Gemini, according to this myth, is a wish that Zeus granted to Pollux, who asked him for immortality for Castor as well. 

Back to the verse, the second word, Amran, originates from Amr, which is literally translated as “command.” The word has been used in many languages, becoming a royal epithet at one point (Emir), always retaining its association with “a divine order” or sorts. Translations of this verse are loose - it is unclear whether the wind is distributing a command or distributing by command. 

I recall in Chittick’s book on the Metaphysics of Ibn-Arabi reading a discussion in regards to the metaphysical meaning of Amr. This discussion involved the idea that Amr itself could be considered “matter”; I have been unable to track down exactly where I found this, so I can’t confirm if that’s what I read, or if my notes are a representation of my wandering imagination. 

Geometrically, the qualitative representation of the number 3 is the equilateral triangle. As the third sign in the sequence of 12, this marks the end of the one type of grouping according to Amuli and to generally accepted standards of traditional astrology - that of the triplicity of cardinal, fixed and mutable characters. If we follow the creation sequence geometrically, we move from a center point to a line to form 2, and would have to encounter the triangle to find the next position of ultimate balance - a position that is equally distributed and in harmony with its companions. The triangle thus represents the first Unity after One - an archetype that is critical in many faiths, such as Christianity, where the Holy Trinity takes root. Structurally, this is the most resistant orientation of forces, giving rise to the structural element of the truss and the space frame. At a molecular scale, the triangular bond describes the nature of water, our most previous life source - the bonds between hydrogen and oxygen. The majesty of this archetype is really reflected in its multiplication, as it forms the basis of the orientation of 6 (the directions of movement, thus considered as body or jism); 9 (the sacred enneagram, which we will discuss with Sagitarrius) and finally 12 - the completion of the zodiac, formed through the triplicity of the the four elements. To really get to know the sacred properties embedded in the qualitative aspect of numbers, I would recommend 1000% purchasing a copy of Keitch Critchlow’s Islamic Patterns (an analytical approach to Islamic Cosmology). This book has changed my life.

2 - VISION (the archetype of Taurus in relation to XSITE) by javid.jah@gmail.com

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Our cosmological Vision proceeds from the assumption that the Human is a Microcosm of the Universe (the Macrocosm).

If this were true, perhaps the Universe does live inside of each one of us.  The duality of Human vs Universe is an Archetype revealed within the most fundamental relationships of our existence: Day vs Night, Dark vs Light, Up vs Down, Right vs Left. It is geometrically represented by a Line between two points, representing what is formed when the Creator moves from its origin to its first destination. In a way, the Microcosm - derived from the Macro, yearns to return to its source, and thus recites His name in remembrance.

2 - TAURUS (Q 37:3) by javid.jah@gmail.com

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Ath-thuwr is the ‘arabic name for Taurus, the second astrological sign of the zodiac. The progression through the houses is represented counter-clockwise starting at what we know as 9pm on a clock. This actually represents the Eastern horizon, where the Sun rises for us Earth dwellers. The houses of the Sun’s ecliptic, also known as the zodiac, are really composed of constellations of fixed stars. They appear to be setting in the East as we rotate the Sun, thus represented in a counter-clockwise fashion. An esoteric interpretation is that while the descent of the soul toward Earth can be represented as we understand it to be on a clock, its return to its origin, or its ascent, is a movement in the opposite direction.

The bull is sacred in a number of traditions. Due to a phenomena known as the Procession of the Equinox, the constellations are slowly shifting so that the vernal equinox, or spring, never remains in the same place. During the age of Mesopotamia, the first day of spring occurred during Taurus, not Aries - a time known as the Age of Taurus. The bull is associated with the Earth, perhaps given its role in agriculture; it is the first of the earth signs, sharing this element with Virgo and Capricorn which form a triangular relationship. Taurus is also a fixed sign, which means that it is rather stubborn, prone to fight sternly for what they believe in, dedicated to its cause. It shares this characteristic with Leo, Scorpio and Aquarius.

In the astrological diagrams of the late Sufi Haydar Amuli, Taurus is associated with a Qur’anic verse that immediately follows that of Aries. From Sura Saffat (37)  which literally means “those who set the Ranks”, the verse can be translated as “those who recite the Remembrance.” The first word, taliyati is the active participle of the verb tala’, which means to recite. “Dhikran” , which comes from the verb “Dhikr” is every Sufi’s favorite activity - it denotes the remembrance of Allah. It takes many forms, vocal (zahiri) or silent from the heart (batini), and can generally be thought of as functioning as a mantra. The repetition via invocation must be, in a way, stubborn - it is not about expecting results and certainly not for the faint hearted. One must continuously submit to the remembrance, keeping His name at the tip of your tongue, sometimes aligned with breathwork, for others autonomously in rhythm with your heart beat. Dhikr, unlike prayer (namaz) or supplication (du’a), is really a personal struggle, even if performed in communion.  According to Amuli, it's the Taurean strength and determination that can bring about this persistence to remember our Origin.

1 - PURPOSE (the archetype of Aries in relation to XSITE) by javid.jah@gmail.com

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Our purpose is to explore the Archetypes.

Archetypes are like a secret language describing all creation. They can appear as symbols, such as numbers, letters or even planets or body parts.  When reflected upon, it may seem that the Archetypes represent how Creation moved from a single point of origin to the Infinite expanse of our galaxy. This story of Oneness may be referred to as Cosmology - a theory or the relationship between humans and the Cosmos (Universe). Exploring cosmology at the scale of a building - cosmic architecture - is the purpose of XSITE. It is part of a tradition that once oriented buildings to the heavens - a word that actually signifies the orbits of the visible planets.

LEGEND by javid.jah@gmail.com

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‘Arabic is language in which the Holy Qur’an (the Book of Islam) was revealed. Twenty-nine of the 114 chapters of the Qur’an begin with the recitation of two, three or five letters. The study of the significance of these letters is known as Huroof-al-Muqatta'at (literal translation: abbreviated words). Upon closer inspection of the 14 letters (reduced to 12 phonetic sounds), one interpretation of their significance is that they each represent a constellation or house within the elliptical path of the Sun. XSITE seeks to revisit this mystic analysis by comparing it to other archetypes associated with the 12 houses of the ecliptic (also known as the Zodiac, which is Latin for cycle of animals).

For the purposes of this version of the book, my focus will be on the Qur’anic verses that were associated with astrological signs according to the 13th century Sufi scholar, Haydar Amuli. A disciple of the great Sufi Ibn-al-Arabi, I recently found several of Amuli’s diagrams in a book by Henry Corbin, one of the renowned translators of mystic traditional texts. In Temple and Contemplation, Corbin breaks down the elements of four charts by Haydar Amuli. which are remarkably detailed accounts connecting Divine Names, Verses of Qur’an, visible planets and even the Prophets and Imams through the archetypes of 7, 12, 14, 19 and 28. Below is a scanned image of the chart that I focused my research on for XSITE:

Archetype of 12:The largest set of circles, divided into four groups of three, have an outer and inner ring. The outer ring is the Arabic names of the constellations that appear along the Sun’s ecliptic while the inner ring capture the key word from…

Archetype of 12:

The largest set of circles, divided into four groups of three, have an outer and inner ring. The outer ring is the Arabic names of the constellations that appear along the Sun’s ecliptic while the inner ring capture the key word from the Qur’anic verses that Amuli has associated with each astrological sign (each verse has only two words, many of them the same word used twice). The sections between these rings are the names of the months according to the Islamic lunar calendar. Each of these groups is given a Divine Attribute, starting from the top left and going counter-clockwise: Huwa al-awwal “He is the First”; wa’l-aakhir “and the Last”; wa’l-zahir “He is the Manifested”; wa’l-batin “and the Hidden”

Archetype of 7:

The inner ring, composed of seven circles, also has an inner and outer aspect. The outer portion of the ring contain the names of the seven visible planets, and the inner areas have the corresponding “principles” of creation:

[The Sun - Shams] the Intelligence - ‘acl,

[Jupiter - Mustari] the Soul - nafs

[Venus - Zuhrah] Nature - tabi’ah

[Mercury - ‘Utarid] the Material Prima - hayuli

[Moon - Qamar] the body - jism

[Mars - Mirrikh] - the Throne - ‘Arsh

[Saturn - Zuhal] - the firmament - kursi

The center circle bears the title of the diagram: al-’alaam al-suri which means “the manifested World”.

The corners of the ideal square in which the diagram is drawn contain four more circles, each with two inscriptions. Top right include Intelligence (‘aql) and Man (insaan); top left include Soul (nafs) and Angle (malak); bottom left is Nature (tabi’ah) and Genie (jinn); and bottom right is Body (jism) and Animal (hayawan).

TABLE OF CONTENTS by javid.jah@gmail.com

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Perhaps not the most clear table of contents, but if we consider the Universe to be a book, this is probably how its chapter headings could be represented. Consider the Eastern horizon your starting point, which in the case of the astrological houses, is represented by the horizontal line running from the center of the circle to the left, initiating the chart at Aries (corresponding with the Arabic letter Alif (A)). The chapter headings take their cue from the general character of the houses - the 12 slices of the 30 degrees that somewhat divide up the constellations of fixed stars we see in our sky as we make a full rotation around the Sun every year. The next post will have a table explaining the meaning of each of the symbols in this chart, and how it relates to the research of this book.

1 - ARIES (Q 37:2) by javid.jah@gmail.com

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Al-Hamal is the Arabic name for Aries (actually originates from ras al-hamal, which means head of the Ram). It is the name of the brightest star in the constellation of Aries, and for the last 2000 years it appears around the time of the vernal equinox marking the start of spring in the Northern hemisphere. (It no longer does since the precession of the equinox has shifted this constellation into Pisces… but thats a whole ‘nother story…)

Recently, reading through Henry Corbin’s Temple and Contemplation, a book dedicated to gnosis and cosmology in Islam, I came across a study of the 13th century diagrams of Haydar Amuli. In these drawings, which investigate the correspondence in number and geometry of the heavens prophethood and the divine names of Allah, Amuli connects certain verses of the Qur’an with the astrological signs. I have to preface this by underlining that by no means does the contemplation of the Signs of the heavens have anything to do with PREDICTION. As stated by our 10th century Ismaili ancestors, the Ikhwan as-Safa (also known as the Bredren of Purity): Astrology does not pretend and has not the right to pretend to an anticipated knowledge of events. .. the unknown is accessible neither to the astrologers, nor diviners, nor prophets nor sages. It is the work of God only.

That being said, I wanted to revisit Amuli’s theory by comparing these verses to the archetypes associated with the astrological signs - primarily based on their symbol, number and geometry. The first observation was how wonderfully poetic the selected verses were - they are all comprised of only two words, and often the same word repeated, as in the case of al-hamal, or Aries. “Zajirati zajran” is actually quite difficult to translate - both words have the same root, one being used as a noun, the other as an adjective. Amuli defines it as “those who drive strongly” which is very similar to what we’d expect from traditional and esoteric astrology in terms of the fiery and cardinal Aries, ruled by Mars - a determination and will to achieve at any cost. Yusuf Ali considers this verse, which is part of a string of similar type two-word sentences at the beginning of Sura Saffat (37), to refer to the roles of various angels, and translates this particular verse as “So are strong in repelling (evil).” 


What interests me is the archetype of Aries, representing the 1st house, the center of a circle, the origin of our solar year - Navroz. And moreover, as I will show in subsequent posts, my goal is to see how the archetypes are manifest in the design and expression of XSITE.

XSITE: In Pursuit of Cosmic Architecture by javid.jah@gmail.com

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XSITE is an evolving art project that is dedicated to developing our hidden relationship with the Universe. It is inspired by Sufism - a mystic pathway within Islam that believes each one of us is a microcosm of the Universe, which can be considered a macrocosm . XSITE represents the principles of this cosmology through its architecture, expressing how Sufis once imagined the correspondences, or Archetypes, between number, letter, geometry, color, planet and chakra. Our goal is to use innovative contemporary approaches in both the applied and virtual sciences to re-imagine this esoteric tradition, inviting people from diverse backgrounds to reflect upon the Signs as they rise on the horizon. We hope the experience of XSITE may awaken our hearts and minds to the unseen relationship we share with the Universe - an awareness that is often beyond mere sensory perception.

Many thanks to Carol Ann Apilado and Sheida Shekkeriz for assisting me in compiling this book. Also special thanks to everyone who is part of the XSITE family, in particular, Chris Ak (audio visuals), Joachim Wessmark (swivel design), Jason Halter (Wonder Inc.), Michael Hopkins (Blackwell Engineering) and Vince Ruggeiro (Storstac Containers).